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supported by 6 fans who also own “scary movies [Victim of Involuntary Technological Interface]”
absolutely brutal and disturbing. menacing but very catchy. i can't get enough of this album and the rest of chat pile's work
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VOLCANIC BIRD ENEMY AND THE VOICED CONCERN
by LIL UGLY MANE
supported by 5 fans who also own “scary movies [Victim of Involuntary Technological Interface]”
pop a couple percs and open fl studio and you would probably make this
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supported by 4 fans who also own “scary movies [Victim of Involuntary Technological Interface]”
Floor-to-ceiling Boris ragers! It’s like they looked back on songs like Statement and Woman On the Screen and said “let’s do a whole album like that!” Most of these tracks don’t even pass 3 minutes! Zerkalo holds up the middle with some anguished doom. In the end, *NO* is as strong and declarative as it’s title.
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All Those Things I Thought I Knew
by emzae
Singer-songwriter and producer's debut album is filled with '90s and Y2K-era influenced pop tracks.
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Under The Weather
by Candy Moore
Sweetly melancholy bedroom pop is rarely as actually vulnerable and personal as it is in this Australian artist's hands.
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The Chicago experimental artist's latest album explores the double-edged sword of his success.
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Forget Your Own Face
by Black Dresses
supported by 4 fans who also own “scary movies [Victim of Involuntary Technological Interface]”
continuing from FIYH, this is blackpilled as all fuck; written and delivered with the raw candidness and self-mocking bitterness of a high-schoolers journal, and set to beats that are laser-focused to keep my distractable mind topped up on angry dopamine. A tight 21 minutes of weaponised disgust.
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